Hungarian artist László Moholy-Nagy arrived at the school in 1923 to teach preliminary classes and run a metal workshop, but his real passion was for photography. Kandinsky remained with the school until its closing. Turning his back on representational art, Kandinsky embraced what he saw as the spiritual qualities of color and form.ĭuring his tenure at Bauhaus, Kandinsky’s work became more focused on abstract shapes and lines, as displayed in his 1923 painting Composition VIII. Painter Wassily Kandinsky began teaching in 1922. Surrealist painters Joan Miró and Andre Masson credit Klee as a major influence on their work. Klee left the Bauhaus in 1931 and died in 1940. His tenure at Bauhaus saw him create works that are lauded for their poetry and humor, as with his 1922 painting, Dance, Monster, to My Soft Song! Paul Klee joined the school’s faculty in 1920, bringing with him a fascination with the art and artistic processes of non-Western cultures and children that he melded with a geometric, often scientific approach to abstract painting. Expressionism and Futurism would have a noticeable influence on the art produced in the school alongside its specific style of geometric design that at times resembled Cubism. Instruction focused less on function (like so many Bauhaus offerings) and more on abstraction. Gropius designed the Bauhaus Building and several other buildings for the new campus.įine art became a major offering at the school in 1927 with a free painting class offered by Paul Klee and Wassily Kandinsky. Starting in 1925, Gropius oversaw the school’s move to Dessau, allowing the opportunity for the principles of Bauhaus to manifest in the school’s physical space. Gropius remained as director for nine years and steered the Bauhaus school into developing a cohesive style, though that was not his original intention. These austere aesthetics favored function and mass production, and were influential in the worldwide redesign of everyday buildings that did not hint at any class structure or hierarchy. The Bauhaus style of architecture featured rigid angles of glass, masonry and steel, together creating patterns and resulting in buildings that some historians characterize as looking as if no human had a hand in their creation. Painting, typography, architecture, textile design, furniture-making, theater design, stained glass, woodworking, metalworking-these all found a place there. Under the leadership of Gropius, the Bauhaus movement made no special distinction between the applied and fine arts. Its creators believed in bringing artists and craftspeople together for a utopian purpose. The Weimar school founded by architect Walter Gropius in 1919 was inspired by Expressionist art and the work of architect Frank Lloyd Wright and designer William Morris.
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